In the tradition of really exciting Brit pop comes “Save Me”, the new single by Liverpool-based quartet Motherhood. The optimistically bright track, rides on a wave of eclectic beats, glistening synths- and guitar-lines and great vocals to round it all beautifully out. Listen to “Save Me”, produced by Sam Winfield (The[…]
L.A.-based singer/songwriter Morly is back. We enjoyed her 2016 EP “Something More Holy” enormously and were lucky to catch her two of her intimate performances at SXSW and the Music Hall of Williamsburg. With her latest song “Sleeping In My Own Bad” she moves away from minimalist electronics more towards[…]
Wolf Alice is back and they are not kidding. “Yuk Foo” is shows the band at their rawest, toughest. We are looking forward to their second album “Visions of a Life”, out on September 29.
Formed by long time friends James and Jack and based in Luton, England, Rylands Heath have just released their new single “Skin” which is beautifully upbeat, jangly guitar-pop. “Skin” is the perfect soundtrack for a walk on the beach, a park or anywhere outdoors really because its infectious beat makes[…]
“Agatha” is the second EP by Canadian indie rock three-piece Basement Revolver with four slow and reflective songs, such as “Tree Trunks” about singer Chrisy Hurn’s coping with panic attacks: Tree trunks was written when I started experiencing panic attacks for the first time, and my increasing need to find[…]
"Sewing Skylines to Shores" is the new track by Brooklyn-based four-piece Iris Lune around singer and songwriter Ella Joy and guitarist Asher Kurtz. The song fuses folk with electronics and melancholy with joy and features a synth line like a birdsong, that makes you smile, even though the topic is[…]
“Gliss” by Madrid-based quartet Baywaves is like sunshine on steroids. The track buzzes with bright energy: there are pronounced bass lines that compete with flirty guitar strumming and contrasting mellow vocals, which all together make for a carefree, glistening vibe. “Gliss” has been recorded while on tour, playing popular European festivals like[…]
The new song “1008” by Emily Ady and Liam Fergus aka Le Son is a futuristic jazz track that feels familiar and strange at the same time. Minimalistic electronics and glitchy beats flicker beneath Emily’s smooth vocals and evoke the image of a bar performance in a science-fiction movie. “1008”[…]
“Can you hear me out there” sings Steven Anderson-Howard with powerful vocals, faintly evoking Jim Kerr’s (Simple Minds), while the drums in “Last Of Our Kind” relentlessly move forward and the guitars blissfully chime along. This latest single by London-based quintet FAERS is one for the ages! Sometimes, it only takes one[…]
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